The performance as an ’interpretant’ of the drama
Identifieur interne : 000164 ( Main/Exploration ); précédent : 000163; suivant : 000165The performance as an ’interpretant’ of the drama
Auteurs : Erika Fischer-LichteSource :
- Semiotica [ 0037-1998 ] ; 1987.
English descriptors
- Teeft :
- Aesthetic norms, Basic difference, Contemporary stage, Diderot, Dramatic character, Dramatic dialogue, Dramatic text, Emilia galotti, Extraordinary emotions, Facial expressions, General conditions, Gestural signs, Global transformation, Goethe, Individual elements, Interpretant, Interpretants, Karl moor, Lessing, Linear approach, Linear transformation, Nineteenth century, Nonverbal signs, Other hand, Other words, Plastic arts, Possible modes, Proper name, Same time, Semiotic, Semiotic system, Semiotic systems, Stage directions, Stage properties, Structural approach, Structural transformation, Subtexts, Theatrical code, Theatrical signs, True subjects, Twentieth century, Verbal signs, Western world.
Url:
DOI: 10.1515/semi.1987.64.3-4.197
Affiliations:
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Le document en format XML
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